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大腕来演出，怕人多，没敢太早宣传。而且铁观音已经决定周二不演，重点放在DJ OK上，让水陆观音保持一个宽松的交流气氛。希望大家周三去南门剧场（64382797/64379737/84564949）看正式的演出，除了兹比格涅夫·卡科夫斯基，还有李劲松、Guy-marc Hinant和铁观音四重奏。门票50，超值。

3月7日星期二，晚9点30分

1，王凡
2，兹比格涅夫·卡科夫斯基 + 李劲松
3，武权 + fannullone + 兹比格涅夫·卡科夫斯基
特别节目：DJ OK（颜峻 + 老赵 + Guy-marc Hinant）

地址：燕莎以东1500米，汽车电影院，两个好朋友酒吧。
电话：81964820/13552276845

waterland kwanyin #38
march 7th, tuesday, 9:30pm

1, Wang Fan
2, Zbigniew Karkowski + li chin sung
3, wu quan + fannullone + Zbigniew Karkowski
plus: DJ OK (Yan Jun + Christiaan Virant + Guy-marc Hinant)

venue: 2 kolegas bar, qi che dian ying yuan (drive in movie theater, dong feng road, east of liang ma qiao)
number: 81964820/13552276845

———————————————————————————————————
Zbigniew Karkowski.  Bio

Born 1958 in Cracow, Poland. Started playing flute and piano at the age of eight and afterwards studied music at the Frederik Chopin’s Music Lyceum in Cracow. After moving to Sweden in 1979 he has been involved in early 80s within the group of artists around Radium label in Gothenburg and from 1985 studied composition with Mikael Edlund, Bo Holten, Lars Johan Werle and Åke Parmerud at the State College of Music in Gothenburg, Sweden. Studied also aesthetics of modern music at the Department of Musicology, University of Gothenburg and computer music at the Chalmers University of Technology. After moving to Netherlands in 1990 he has studied sonology with among others Klarenz Barlow, Joel Ryan, Konrad Boehmer, Stan Templaars and Paul Berg at the Royal Conservatory of Music in Den Haag. He has also attended many summer master courses arranged by Centre Acanthes in Avignon and Aix-en-Provence, France, where he studied for among others Olivier Messiaen, Pierre Boulez, Iannis Xenakis and Georges Aperghis. He works actively as a composer of both instrumental music -  has written among others two pieces for large orchestra, both performed by Gothenburg Symphony Orchestra, several chamber music pieces which were performed by professional ensembles in Sweden, Poland, Holland, Germany, Spain, France New Zealand and Japan and many electroacoustic media compositions. Between 1986-89 he has actively worked as a composer in the computer music studios at Chalmers University of Technology in Gothenburg and EMS (Electroacoustic Music Studio) in Stockholm. Between 1990-93 while he lived in Amsterdam he was closely associated with STEIM (Studio Elektro-Instrumentale Muziek)  where he worked with development of interactive gesture sensing instruments and Electronic Music Studios at Sweelinck Conservatorium in Amsterdam where he composed electronic tape pieces. In 1994 he lived in Berlin where he worked as an artist in residence in Tacheles Kunsthaus developing several projects with experimental Berlin artists like Blixa Bargeld and Elektronauten. Since 1995 he is based in Tokyo, Japan where he collaborates closely with japanese avantgarde scene.  He has extensively toured in  Europe, Asia, North America, South America and Australia and his music has been performed at several festivals - among them: ”Music und Dokumenta”-Kassel 87, ”Internationale Feriekurse für Neue Musik”-Darmstadt in both 1988 and 1992, ”International Computer Music Conference”-Cologne 88 and Berlin 2000, ”Töne und Gegentöne”-Vienna 89, ”SISEA”-Groningen 90, ”AVE”-Arnheim 90, ”Ars Electronica”-Linz 91 qne 99, "Skinnskattebergs Electroacoustic Music Festival”-Sweden 91, ”NEMO”-Århus 92, ”Stockholm Electroacoustic Music Festival”-Stockholm 92, ”Digital Interact”,”We Never Sleep”, "Le SonImage”-all in Berlin 93, ”WRO "- Sound Basis Visual Art Festival”-Wroclaw 93, ”Under Spaghetti Junction”-Birmingham 93, ”Le Monde Virtuell”-Paris 93, ”IRRTON”-Berlin 94, ”Sonick Acts”-Amsterdam 94, ”Music Poetry Force”-Berlin 94 , ”DEAF" = Dutch Electronic Arts Festival”-Rotterdam both in 94 and 96, ”VISAS”-Maubeuge 96, ”EXIT” - Creteil 96, ”Digital Aesthetic-One” - Sydney 96, ”Sonderangebot” - Berlin 96, ”La Parallaxe” - Quebec Ville 96 , "SAT" - Montreal - 96, ”Audio Art Festival” - Cracow 96, ”Festival Atlantico” - Lisbon 97 , ”SONAR” - Barcelona 1997 and 2002, 'FNCM" - Montreal 97 and 2001, 'Steirischer Herbst" - Graz 97, "IMPACT" - Utrecht 98, "Nursery Injection Festival" - Stockholm 98, "Meltdown Festival curated by John Peel" - London 98, "ICMF - International Computer Music Festival" - Kobe 98, Art Futura Festival - Madrid 98, "FBI - Festival Beyond Innocence" - Kobe 98, "Nature is Perverse" - Stockholm 98, "Mego@ICC" Tokyo 1999, "Electrofolie" - Dijon 1999, "38eme Rugissants" - Grenoble 2000, "Observatori" - Valencia 2000 and 2003, "LEM" - Barcelona 2000 and 2004, "Metronom" - Barcelona, 2001, "GAS" - Gothenburg , 2001, "ATM" (San Francisco SF Moma, Chico Polytechnics, San Luis Obispo and LA) -2002, "Frequenzen" - Schirm Museum Frankfurt/Main, 2002, "Risonanze" - Venice 2002 and 2003, "Electrograph" - Athens, 2002, "TEAP" - Taipei 2002, "Argos" - Bruxelles 2003, "Sonicity" - Roma 2003, "First Electronic Music Festival" - Beijing 2003, "Radar Festival" - Mexico City, 2004  "Realidadvisual festival" -Lima, Peru 2004, "Nuit Blanche" - Paris 2004, "Weatherbrain festival" - Taipei, Taiwan 2004, "Underground Film and Music festival" - Lausanne, Switzerland 2005, "Dis_positionen festival" - Berlin, Germany 2005.
He has also given workshops and lectures at among others 'Stanford University' Palo Alto , 'Northwestern University'  Evanston, 'Chicago Art Institute', 'UCSB '- Santa Barbara =USA. 'Osaka University of Arts', Kunitachi College of Music Tokyo, IAMAS 'International Academy of Media Art and Science' Gifu and CCA (Center for Contemporary Arts) - Kitakyushu = Japan. 'Royal Conservatory' in Den Haag, Holland, Darmstadt courses in both 98 and 92,  'University of New South Wales' Sydney,  'Music Academy' Cracow, 'L'ecole d'art  superieure' - Geneve, 'Taipei Institute of Technology' Taipei, Taiwan, 'Xinghai Conservatory' - Guangzhou, China, 'Centro Nacional de las Artes' - Mexico City. In April 96 he had 1 month retrospective exhibition of his 'audio art' work at Ivan Dougherty Gallery in Sydney. Besides working as a composer of contemporary music he has been collaborating with several experimental groups and artists like: The Hafler Trio, Blixa Bargeld, Merzbow, Stelarc, John Duncan, Aube, Tetsuo Furudate, CCCC, KK Null, Antimatter, Francisco Lopez, Kasper T. Toeplitz, Peter Rehberg, Li Chin Sung and has worked on remixing  artists and bands like Iannis Xenakis, Clock DVA,  Phauss, Jazzkammer, Florian Hecker, TV Pow, Rechenzentrum, Fred Bigot, Fear of God, Nosei Sakata and The New Blockaders.  Between 1993 and 2002 he was a member of internationally aclaimed 'music/technology' group SENSORBAND with which he often performed network concerts via ISDN or internet (see.www.sensorband.com). He also composed 2 radio specific compositions (comissions from Ateliers de Creation Radiophonique - Maison de Radio France Paris and Radio Copernicus - Universitet der Kunste Berlin). He has as well written music for film, video, theatre and dance. His scores are published and distributet by STIM in Sweden and until today he has released more then 100  cd’s by labels all over the World.
 He is conviced that it is a responsibility of an artist in in the present day to travel and work around the World in order to learn and understand different cultures and traditions and discover truth about ourselves and our planet.  He also strongly believes that geographical, political and social exile is a necessary condition for true and honest creation.  He is not interested in the traditional definition of music, in his opinion, all musical theory and systems as cultural concepts must be destroyed. In his latest work, his main concern is to realize drama with sound - electronic and acoustic walls with the architectures of ruins transcribed in the scores.

Zbigniew Karkowski         Selected Discography:

Between 1983-1993

'Gothenburg 84' (compilation) - Radium Records - Sweden
'Gothenburg 86' (compilation) - Radium Records - Sweden
'Drakron' - Pitt - Radium Records - Sweden
'Before we came to this religion'-Texas Instruments - Radium Records - Sweden
'Bad Bye Engine' (with Ulf Bilting) - Radium Records - Sweden
'Leaving the 20th Century' -Mental Hackers- Radium Records - Sweden
'This Infernal Love of Life' (compilation) - TOPYSCAN records - Sweden
'Audiodrome' (with Phauss) - Radium Records - Sweden
'Uexkull' - Anckaström records - Sweden
'River in Flames' (with John Duncan) - Anckaström records - Sweden
'Send'  (with John Duncan) - Touch  - UK
Phauss/Karkowski/Bilting - Silent  - USA
Dry Lungs 2 (with CM.von Hausswolff) - compilation - Placebo Records- USA
'TESTAMENT' (compilation) - RRR records - USA
'Polar Regions' (with Cosmic Trigger) - Silent - USA
'Mastery of Money' (with Hafler Trio) - Touch  - UK
'Kill the King' (with Hafler Trio) - Touch  - UK
'Masturbatorium' (with Hafler Trio) - Touch  - UK
'Fuck'  (with Hafler Trio) - Touch  - UK
'Apo Mikhanis' (with Hafler Trio) - Apo Mikhanis records- Greece
'Ressurection' (with Hafler Trio and Sons of God) - Touch  - UK
'Bitstream' (Clock DVA remixed) - with Andrew McKenzie - Contempo - Italy
'Four ways of saying five' (with Hafler Trio) - Grey area MUTE records- UK

1994

'Anckaström' (compilation) - Staalplaat - Netherlands

1995

'Antiphony' (with Eric Lyon) - compilation - Ash  - UK

1996

'Sonderangebot' (with Eric Lyon) - compilation - Staalplaat  - Netherlands

1998

'World As Will' (with Tetsuo Furudate) - Staalplaat - Netherlands
'The Elgaland-Vargaland National Anthem' (with John Duncan) - Die Stadt- Germany
'SPL' with MAZK (Masami Akita + Zbigniew Karkowski) - OR - UK

1999

'Disruptor' (with Helmut Schaefer) - OR- UK
'Or some computer music' (with Le Depeupleur) -compilation- Or- UK
'END ID' (with Helmut Schaefer) -compilation - Digital Narcis - Japan
'Datastream' (with Edwin Van Der Heide) - Or - UK
'Computer Music Journal Sound Anthology' Volume 22 (with Sensorband) - USA
'Coalescence' (with Sensorband) - compilation -  Alien 8 records -Canada
'Voltage' (with Edwin Van Der Heide) - Bake - Netherlands

2000

'Mutation' (with Aube) - E.R.S records - Netherlands
'Area/Pulse' (with Sensorband) - Sonoris - France
'Traceroute' (with Sensorband and Ulf Bilting) - Ash R.I.P - UK
'Nature Is Perverse' (compilation) - Fylkingen Records -Sweden.
'[R*] iso|chall'  (Hecker remixed) - Mego - Austria
'Meltdown of Control' (with Senssurround orchestra) - Mort Aux Vaches - Staalplaat - Netherlands
'It' - Mego - Austria
Erratum 3 (compilation) -Erratum revue sonore- France
'Reverse Direction And Let The Sound Reach Out To You' - Fireworks Edition records - Sweden
'Le Deupeupleur' (with Kasper T.Toeplitz) - CFET - CrossFade EnterTainment - Germany
'Error..' (with Digital Primate) -  CSM records - USA
'falsch 01' - (compilation) -falsch- Austria http://fals.ch
'Erase Your Data' - (compilation) - Namseiko/Heioka records - Switzerland
'Choice of Points for The Application of Force' - Ytterbium records - France
'Observatori 2000' (compilation) - Subterfuge records - Spain
'Lockers' (compilation) - E.R.S records - Netherlands
Leonardo Journal of Music vol 9 cd (with Sensorband) - USA

2001

Computer Music Journal vol 24 cd (compilation) - USA
'State Of The Union' (compilation) - Electronic Music Foundation - USA
'International Compilation vol 2' - Alienation - Japan
'Whint' (with Francisco Lopez) - Absolute/Touch - UK
'MAZK' (with Masami Akita) - tigerbeat6 - USA
'POP' (with Peter Rehberg) - Tochnit Aleph - Germany
'klr' (split Peter Rehberg, Francisco Lopez, Zbigniew Karkowski) - ar.ms - Japan
'Generator archives' - Generator - USA
Denshi Zatsuon vol 6 cd (compilation) - Japan
'Rolex" Jazzkammer  remix (compilation) -  Smalltown Supersound- Norway
'Mazk' (with Masami Akita) - Sonic Factory - Noise Asia - Hong Kong
'no title - Alienation - Japan
'Function Generator' (with Antimatter) - Sirr - Portugal
"Swedish SoundArts" (book and double cd compilation) - Swedish Music Information Center.
'Ringtones' (compilation) - Touch-UK

 2002

'International Compilation vol 3" (with Le Depeupleur) - Alienation - Japan
'World as Will II' (with Tetsuo Furudate) - 23Five - USA
'Inflation' (*0 0.000 remix compilation) - mu label - Japan
'Zeitkratzer  plays noise' (split Masami Akita, Zbigniew Karkowski, Dror Feiler) - Tourette, Germany
'falsch 02'-(compilation) -falsch- Austria http://fals.ch
'Consciously Unconscious Unconsciously Conscious' - Metamkine, France
'Persepolis remixes Edition 1' (compilation) - Asphodel, USA
'2 ZBG-TTO' (with Tito Diaz) - Eozoön Editions, Spain
Suffer Enjoy (compilation) - Antifrost, Greece

2003

Computer Music Journal vol 26 cd (compilation)
'ElectroStatics' - Post-Concrete , USA
'It's a Or' (compilation- with Mazk) - OR , UK
'DiscO DiscO' (compilation) - Absinth Records , Poland
'Zenial reworked' (Zenial remix) - vivo , Poland
'Substantials #01' (book and compilation cd) - CCA Kitakyushu, Japan
'Work Hard Play Harder' (Pop with Peter Rehberg) - Absurd, Greece
'turnoff' (split with Francisco Lopez) - NoiseAsia, Hong-Kong

2004

'Alt+F4' - (compilation) - Salvia, Poland
'attuning/attending' - Musica Genera, Poland
'ENCYKLOPEDIA-RW' (ilios reworked compilation) - Antifrost, Spain
'The end of the Fear of God' (remix compilation ) - Tochnit Aleph, Germany
'one hour as' (compilation) - ResonanceFM, UK
Erratum 4 (compilation) - with Le Depeupleur - Erratum revue sonore, France
b!as 2003 (compilation) - soundtrack for video by Atsuko Nojiri - Sound Art Collective of Taiwan
Metronom Exposicions 2000-2001 (DVD collection) - Fundacion Rafael Tous d'Art Contemporani Metronom, Spain
're:bird' (the electronicat remixes) - angelika köhlermann, Austria
'Intensifier' - walnutlocust, France
'an anthology of noise and electronic music vol3' (compilation)- SubRosa, Belgium
'2X5' (compilation) - Licht-ung, Germany
'KHz' (with Antimatter) - auscultare research/groundfault recordings, USA

2005
'Equilibratura Elettronika' (DVD with Mazk and Ogino Knauss) - AfV, Italy
'One and Many' - SubRosa, Belgium
'Magical Crystal Blah vol 2' (John Wiese remixed - compilation) - Helicopter, USA
' In real time ' - Mazk (Masami Akita and Zbigniew Karkowski)  - Ytterbium 07 - France
'Experiences de Vol 4-5-6'  - Mousiques Nouvelles  ensemble and Art Zoyd - Im-possible records - France.
Revenge of Ying and Yang (with Li Chin Sung) - NoiseAsia - Hong Kong

兹比格涅夫·卡科夫斯基
兹比格涅夫·卡科夫斯基（Zbigniew Karkowski），1958年3月17日生于波兰城市克拉可夫。90年代初开始进行音乐创作，现在日本东京居住和工作，为当今实验音乐界最受瞩目的人物之一。他的音乐创作十分广泛，当代古典、工业音乐、实验音乐，乃至流行音乐均有涉足。多年来他的作品在欧洲、北美、澳洲多个国家和日本获得演出。其音乐悬疑性高，内容及结果无法预测，特别著重于拓展人类听觉功能之极限。作品在美日澳欧各地演出。现为国际知名高科技多媒体互动表演团体“感应器乐团”（Sensorband ）主要成员之一。

受到热爱古典音乐的母亲影响，卡科夫斯基从小就开始练习演奏钢琴和长笛。十一二岁就被送往当地的肖邦音乐中学，较系统地接受了正统音乐理论教育。70年代末，当朋克音乐流入波兰，他马上喜欢上了这种音乐。当时他满脑子都是The Clash和The Sex Pistols，日渐背离学校里迂腐陈旧的教序和音乐环境。

结束学生时代后，他开始在欧洲的流浪生活，辗转荷兰、德国柏林和法国巴黎等国家后，于1980年在瑞典的歌德堡市（Gothenburg）定居下来，私底下跟随Sven-Eric Johanson学习十二音阶、对位法等作曲技巧。在那里他与Michael von Hauswolff、Ulrich Hillebrand、Erik Pauser和Johan Soderbergh等志同道合者相遇，他们的存在同时也令歌德堡成为欧洲一个重要的实验音乐出产地。在那几年间，卡科夫斯基参与了众多不同的组合，其中较引人注目的是一支名为DNA的工业摇滚乐队，音乐风格受Einsturzende Neubauten、Throbbing Gristle 、Cabaret Voltaire等工业噪音鼻祖级乐队的影响。与此同时，卡科夫斯基还坚持在当地的“Ny Scen”（New Scene）等演出场地演出。后来更成立Radium 226.05组织，进行演出和录制唱片。他认为Radium对他的创作有很大的影响。当时Radium录制各种音乐的唱片，既有各种地下摇滚，也有Avant Garde音乐。他说：“Radium在我的音乐历程中担任着十分重要的角色，而不仅仅是催化剂”，“它给我创造了更大的机会，让听众可以欣赏到我不同的音乐风格，给我创作增加了很大的信心和动力。”

1985年，卡科夫斯基入读歌德堡国立音乐学院学习作曲，又于歌德堡大学的音乐学系学习现代音乐美学，在Chalmers理工大学学习电脑音乐。在瑞典完成学业后，又在荷兰 DenHaag市的皇家音乐学院学习了一年的声学。在整个求学期间他利用暑假时间参加了许多大师开办的作曲课程，所有授课的教师都是像梅西安、布列兹、Iannis Xenakis、Georges Aperghis等二十世纪伟大的作曲家。这段学习经历对卡科夫斯基日后创作的倾向甚为重要。因为在众多的作曲家中唯有Xenakis给他留下了深刻的印象。他形容布列兹和Xenakis就像两个对立面。前者沉着、自容、永远对所有事情都胸有成竹、全盘掌握；而深受文艺复兴时期各类艺术思潮影响的Xenakis处事却是凭直觉和细心，在他的讲演中，往往会讲及很多不同的主题，从化学反应到非洲部落音乐，完全没有任何限制，令人意料不及。“我被吸引绝不仅仅因为Xenakis的音乐，而是他那种打破学院派先锋形式主义的表达方式。那是自然的和自觉的。”卡科夫斯基这样评价自己的精神导师。

拥有深厚的音乐理论水平和自由的音乐创作态度的卡科夫斯基在完成了所有学业后正式开始了他的音乐生涯。他创作的多部电子原音、电脑音乐作品均获欧洲多个音乐节演出，在美国也举行一系列的巡回演出和受邀制作电台节目。同时他也写传统器乐，并曾受歌德堡交响乐团的委托写过两首管弦乐作品，另外还创作过一部歌剧和一些室内乐作品，由瑞典、波兰、德国等地的职业乐团演出。1990年，他被阿姆斯特丹著名的STEIM电子录音室聘为长期作曲家，这可是众多作曲家梦寐以求的事。

在长达十几年的创作生涯中，卡科夫斯基与欧洲多个著名的先锋乐团、组合和乐手有过合作的演出。其中最著名的是他与田中能（Atau Tanaka）以及 Edwinvan der Heide组成的三人团 Sensorband，由于其对于新型乐器界面的利用而受到学院内外双方面的关注，他们带着作为学院内教授们研究对象的尖端乐器（注：主要是手势动作控制器Gestural Controller）出现在地下实验音乐演出台上，而其音乐风格，根据他们自己的描述，是一种“结合了强力的打击节奏、深绵的长音以及痛快的旋律片断的音乐。”他们使用的乐器是一套由 32个红外线传感器构成的系统，其中16个是发送器，另外16个是接收/探测器。这些对速度敏感的传感器被成对安置，它们会侦测手臂的位置和运动速度，其电压数据被一个特制的扫描器转化成MIDI 讯号，这些讯号随即被输入 MAX软件（此软件是整个系统的大脑），接着再被输入 SampleCell II（这相当于管弦乐队）。这套系统是由卡科夫斯基和Ulf Bilting于1990年在瑞典研制的，于同年2月在 STEIM初试啼声。他最初的想法是希望能够仅通过在空中移动手臂来演奏音乐，而重要的是制造出一个演奏者能在台上同时充当作曲家和指挥家，而又不接触任何电线或装置的环境。这一系统可使演奏家实时控制一些参数如速度/动态对比（Dynamic）、节奏、发音（Articulation）等等。这些主要是通过Max实现的。

而乐队的记谱作品最初由瑞典STIM出版社发行，至今已发行七十多张黑胶及 CD 唱片，发行厂牌包括瑞典Radium、Anckarstrom、Topyscan；美国RRRecords、Placebo、Tigerbeat6、 Silent；英国Touch OR、Ash；荷兰Staalplaat；日本Digital Narciss；加拿大Alien8；法国Sonoris；奥地利Mego；德国Tochnit Aleph，及希腊Apo Mikhanis 等唱片公司。

卡科夫斯基亦曾在世界各大音乐学院举办讲座、演讲，包括：美国史丹佛大学、西北大学、日本大阪艺术大学、日本国立音乐院、日本庆应大学、日本国际媒体科技艺术学院、荷兰皇家音乐院、德国达姆许达音乐营、波兰克拉考音乐院、美国芝加哥艺术学院、悉尼新南威尔斯大学。更于96年4月，在悉尼市依凡窦尔提艺廊举行为期一个月之个人声音艺术回顾展。

进入90年代后期，卡科夫斯基除了继续着Sensorband的创作和参加世界各地的音乐节之外，也与各国实验音乐家及工业音乐家广泛合作，包括The Hafler Trio、Blixa Bargeld、秋田昌美（Merzbow）、Stelarc、Kasper.T.Toeplitz、John Duncan、Aube（中岛昭文）、古馆彻夫（Tetsuo Furudate）、CCCC、岸野一之、Peter Rehberg、Francisco Lopez、Ulf Bilting、Xopher Davidson等。其中日本是他近年较专注的创作基地。他与中岛昭文（Aube）合作的专辑“Mutation”，专辑收录了两人1998年在STEIM录音室的牵头下利用采样机和电脑举行的一场现场演出实况。而另外一个值得留意的计划是他与噪音天王秋田昌美（aka Merzbow）组成的Mazk。乐队虽然产量不多，但凭着独特的音乐风格在日本众多噪音乐队中得以脱颖而出，成为倍受瞩目的一队。继首张专辑“SPL”后，再由香港独立唱片公司Noisa Asia出版乐队第二张专辑“不味苦”，专辑收录的是二人99年在法国里昂的Pezner Club的现场录音。音乐风格混合了高压迫感的暴虐式噪音和大量高频电子噪音以及贯穿音乐始终的金属撞击巨响节拍。乐队自成立至今已参加过欧洲多个音乐节的演出。
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DJ OK
2002年，由张荐和颜峻在成都小酒馆发起的伪DJ组合。成员不定。
a counterfeit DJ set established by zhang jian and yan jun in 2002, when they first been DJaming at the litter bar.

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fannullone

born 05.05.67
studied fine art at kunsthochschule kassel
fields: photograshy
film
performance
philosophy
painting
ma in photography and painting
musician since the tender age of four
(spaghetti in father's guitar)
loves to modify instruments
loves to find sounds
field recordings
favorite: noise
still not deaf
reconsiders noise as a form of meditation

music related activities:
compositions for movies, exhibitions, performances
released several cds
collaborations with other musicians
parcitipate on special noise events
abuse of sound software
lately:
atribute for koji tano
http://www.steinklang-records.at/koji-tano.html
film music for "my private beijing"
music clip "20"
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Guy-marc Hinant
the guy who established one of the most important contemporary music labels of the world music, Sub Rosa.
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水陆观音：
一个有关声音、音乐、艺术和环境的系列交流活动。
每周二晚上，免费入场，室内演出，室外赋闲。
北京第一个和惟一的向实验/即兴音乐家、艺术家开放的交流平台。包容来自不同背景的表演者，鼓励自由即兴和实验探索，力图促成更多的合作，激发表演者和观众的想象力，并混淆他们之间的区别。它延续观音唱片的宗旨——追求精神性的实验音乐和影像，追求表演和环境的沟通统一，探讨、促进新音乐的生态环境。
除了常规演出之外，还提供workshop、影像放映和艺术讲座。
观：可观看的影像、建筑、环境、表情；
音：被感知的声音、音乐、语言、信息。
由观音唱片/Sub Jam主办

曾经出现在水陆观音舞台上的名字：
718、武权、武子以、王凡、颜峻、张荐、丰江舟、小河、柿子、孙玮（THX）、健崔、杨韬、铁观音、背信弃义的双鱼座人、Szkieve、姚斌、八股歌、美之瓜、虎子、欧宁 + 曹斐、Mogauwane Mahloele、老赵、郭龙、李铁桥、曾勇（21g工作组）、Melvin Gibbs、金闪、小四、王长存、fm3、崔健、Huoratron（Aku Raski）、earweego、Jackson Garland、White、Staalplaat Soundsystem、巫娜（暮良文王）、王磊、Nara、iloop、朱剑辉、刘小宁、孬、糖、铁子以、Dead J、DJ OK、ME:MO、SUN dawei、Randomk(e)、DDV（from club moral）、DJ OK、伊力奇（杭盖）、周日升、Eugene Martynec、A Train Wreck for My Comrades、谢天笑、2J、tatsuya nakatani（中谷达也） + audrey chen（陈皓伊）、Frédéric Blin  + Aymeric de Tapol、Pink Twins、kristian、NASA、田鹏、守望、沈静（挂在盒子上）、麻沸散、阿米巴、郭大刚（舌头，沐耳）、carlos djanuno dabo……

waterland kwanyin
----sound, music, environment, workshop

kwanyin is name of a popular buddha in china, kwan(guan2) means view, observe, watch, etc. yin(yin1) means music, sound, sonic existence, information, etc.
it's the only and first open plate for experimental, improvised musicians/artists who live or transiently in beijing. as the idea from kwanyin records, it offers opportunities for artists from different background who now (or in the future) be into free music, i.e. abstract and spiritual sound, field recording mix, noise, as well visual art, body performance, etc.
also combined with film screenning, lecture, workshop and special party.
every tuesday, free entrance.

it's a kwanyin record/sub jam production

who was played here:
718, wu quan, wu ziyi, wang fan, yan jun, zhang jian, feng jiangzhou, xiao he, shi zi, sun wei(THX), jian cui, yang tao, tie guanyin, Perfidious Pisces, Szkieve, yao bin, 8gg, mei zhi gua, HZ, ou ning + cao fei, Mogauwane Mahloele, christiaan virant, guo long, li tieqiao, zeng yong, zeng yong(21g), Melvin Gibbs, jin shan, sic, wang changcun, fm3, cui jian, Huoratron（Aku Raski）, earweego, Jackson Garland, White, Staalplaat Soundsystem, wu na (from mu liang wen wang), wang lei, Nara, iloop, double fish, liu xiaoning, nao, tang, tie ziyi duo, Dead J, DJ OK,me:mo, SUN dawei, Randomk(e), DDV（from club moral）, yi liqi (from hanggai), zhou risheng, Eugene Martynec, A Train Wreck for My Comrades, Xie Tianxiao, 2J, tatsuya nakatani + audrey chen, Frédéric Blin  + Aymeric de Tapol, Pink Twins, kristian, NASA, tian peng, jeff zhang, shen jing (from HOTB), ma fei san, amoeba, guo dagang(from tongue, muer), carlos djanuno dabo...